The Lion in the Room: Erik Bendtsen’s Unglazed Pot
Objects of character
Erik Bendtsen’s unglazed pot has the usefulness of a planter and the quiet authority of a small sculpture.
There are objects that furnish a room, and objects that seem to watch over it. Hand-turned in Copenhagen, Erik Bendtsen’s Lion Pot belongs firmly to the second kind.
Its form is familiar—a generous flower pot, a substantial rim, and a matching saucer raised on small feet. Then the lion appears in relief: composed, alert, and built into the architecture of the vessel. The reference is old, but the restraint is distinctly Scandinavian.
Clay, left to speak for itself
Without glaze, light settles softly across the surface. It finds the lion’s face, the thrown lines, and the slight variations that make each pot individual. Green feels botanical; teak and brown bring warmth; grey is mineral; purple is dusky; red gives the classical form a vivid charge.
Three tones from the unglazed palette; three sizes are available within each product listing.
One guardian—or a small pride
A single Lion Pot has enough presence for a console, deep windowsill, or quiet corner. Several reveal the rhythm of the design: repeated relief, varied scale, and clay tones that relate without matching too perfectly. Add a fern, pelargonium, bulb, or compact citrus—or leave the pot empty and let the silhouette carry the room.
BON TON goods is Erik Bendtsen’s exclusive international partner and offers the largest selection of his ceramics worldwide.